Rude cakes do all sorts of naughty things. They never listen, they take things that don’t belong to them, and they are never sorry. Good thing there are giant cyclopses around because giant cyclopses…you have to read the book to find out.
Hilarious and a great story that’s never didactic about manners yet still manages to drive the etiquette point home. I laugh out loud everytime I read this. I can’t wait for more books from Rowboat Watkins.
This collection of poems is as fun as it looks, full of clever word play and concrete poetry. Even typography works to make the poems fun, with just the half-circle of the e showing in “Sunset” and one of the o’s floating up in “Balloon”. Beware, there are no cement poems, only concrete.
Wet Cement: A Mix of Concrete Poem by Bob Raszka is sure to inspire and enthrall.
Twenty common North American birds each get their own page with a line about their habits and a gorgeous paper cut illustration by Dylan Metrano. Amy Ludwig VanDerwater‘s poem is repeated in a double page spread at the end, and there’s an author’s note and mini field guide included. Every Day Birds is a great nonfiction read aloud, sure to garner the interest of young ones.
There are a lot of dark themes in this book: suicide, depression, mental illness, difficult family relationships, and yet The Memory of Light doesn’t feel overly dark. Its mood is overall, one of hope and unconventional friendship. Francisco X. Stork has a writer’s voice that is honest, nuanced with both the unbearable sadness of Vicky, the main character, and the understanding of hope she grows to have.
You can read more about the plot and the author here.
Set in 1969, Marilyn Hilton‘s Full Cicada Moon is Mimi’s story of moving to Vermont, where finding acceptance is difficult because her mother is Japanese and her father is black. What’s more, Mimi wants to be an astronaut and is interested in woodworking, rather than the home economics class required for girls. It’s not the usual story of bucking the system, yet Mimi does effect change in her surrounding community, and it’s beautiful to read.
I admit I picked this book because of the cover, and the review I saw on another blog, and the cover does match the mood of the book. For one thing, the snow, which is new for a girl moving to Vermont from Berkley, hints at the setting. The book begins and ends with the season of winter–and while spring usually signifies new beginnings, snow has a way of making everything look new. I also love the spare verse that gets right to the heart of every scene. Mimi also touches on the past of her family when she thinks about her aunts and their experience in the Japanese relocation camps, a fact the history textbooks omit and the school community suppresses.
Full Cicada Moon is a lovely and real story.
Voice of Freedom: Fannie Lou Hamer: Spirit of the Civil Rights Movement is that rare book that packs nonfiction, biography, poetry and gorgeous layered artwork to tell the story of Fannie, whose community activism and singing earned her “the voice of the civil rights movement” title. I’m not going to tell you much more, other than Carole Boston Weatherford and Ekua Holmes have created an instant classic to be read all year round.
“No one was gonna take my voice.”
Bruce, a bear who lived by himself, didn’t like many things, especially cute little animals. When one of his egg recipes goes wrong, he finds himself with four goslings who calling him “Mama”. These goslings take their imprinting so seriously that they don’t even fly south when other geese do. Instead, they adapt to the cold weather. Mother Bruce, though, has different ideas about southern migration, and the end is a surprising compromise.
Written and illustrated by Ryan T. Higgins, Mother Bruce is a fantastic read with many opportunities to go beyond the text. Talk about Mother Goose, for example, or study the winter habits of bears and geese.
I’m ready for spring, and while I can’t move to a warmer climate or force my tulips to bloom outside, I can read this lovely book of poems about the forest. Today I heard a pinecone fall (from “Invitation”) are the opening words of the first poem to a book not only inviting us to explore the forest, but to explore poetry in a variety of forms.
These poems are accessible in that lovely simple way that only an expert can create. Amy Ludwig Vanderwater is that poet (you can read many of her poems on The Poem Farm, a must-bookmark site for any elementary teacher because it’s an encyclopedic collection of all her poems) and Robbin Gourley watercolours us through the forest in all seasons.